Induction I Outside an alehouse somewhere in the English countryside, a drunk beggar named Christopher Sly argues with the Hostess over some glassware he has broken in his inebriated clumsiness.
The Taming of the Shrew: This motif by Shakespeare also presents itself in The Taming of the Shrew — not in the same manner as the plays mentioned above but as an introduction to the main play. Shakespeare begins The Taming of the Shrew with a mysterious Induction of the character Christopher Sly, but the story never concludes nor does it carry on to the actual play.
Therefore, a couple of questions must be asked: More important, does his role in the Induction play a significant part to the main play?
Sly finds himself in a strange position and must act accordingly to the role he has been assigned, similar to Kate.
The role of disguise plays a major part of The Taming of the Shrew. In the first act, Shakespeare wastes no time in addressing this theme which parallels the Induction. In the Induction, Sly assumes a disguise in a strange way, in which he has no control over.
The story materializes like this: The lord arrives home and sees Sly; he then devises a plan to convince Sly that he is a lord, with the help of his household. When Sly is bestowed this honor, he is skeptical at first: Such response by Sly shows that his identity remains intact, but it would be short-lived.
With more convincing that he is a lord precipitated by the tale of his beautiful wife and trickeryhe assumes the role and calls his so-called wife to bed: Servants leave me and her alone. This statement by Sly does not only show the disguise that he assumes, but also shows the role of marriage, which will be touched upon shortly.
Because Sly has fine clothing, it enables him to appropriately fit his position as a lord, likewise Lucentio and Tranio. To remedy any impending problem, Lucentio devises yet another plan: Not only do Lucentio and Tranio take on a different identity, but they also switch their clothes.
Nay, how now, where are you?
The changing of clothes by the characters represents importance and goes hand in hand with the theme of disguise. Without changing their clothing it would be impossible to pull off a disguise and pose as another person.
The upper class dressed in valuable and highly structured garments, flaunting their wealth with rich fabrics and extreme decorations; the lower class dressed in plain clothes, which could clearly determine their social status. Similarly, in The Taming of the Shrew, the characters who change their clothing take on a different appearance.
Clothing facilitates this outcome because external appearance overshadows the true self and controls the perceptions of others. It allows one to change his or her social positions by donning a disguise.
Christopher Sly is a drunk and a beggar with a string of menial jobs and an appetite for cheap beer. He talks a lot of trash, likes bar brawls, and has no respect for women. He's also easily duped when the Lord tricks him into believing that he is not Sly "the beggar" but rather, a "mighty Lord" who has been in a deep sleep for the past fifteen years. Christine Schexnayder William Demastes English February 13, Sly’s importance in the Taming of the Shrew In William Shakespeare’s play, Taming of the Shrew, Christopher Sly is a minor character because he is only present in the induction and a small portion of act two. Volume I Book XI 5 The Taming of the Shrew INDUCTION SCENE I Before an alehouse on a heath. [Enter Hostess and SLY] SLY I’ll pheeze you, in faith. HOSTESS A pair of stocks, you rogue! SLY Ye are a baggage: the Slys are no rogues; look in the chronicles; we came in with Richard Conqueror.
When Sly changes his clothing into that of a lord, he gets treated differently. Once Lucentio transforms himself from a young gentleman into a professor, people treat him as the role he plays. The Induction presents two people assuming a disguise — via clothes: Similarly, in Act 1 Scene 1, we see Lucentio and Tranio undertake a disguise.
It makes it obvious: In continuation with the issue of attire, the theme of clothing stands alone and does not only serve as a disguise mechanism, for it also works as a way of humiliation publicly and privatelysocial identity as noted aboveand one of the processes in which Petruchio uses to tame Katherine.
One of the most notable scenes occurs the day that the wedding of Kate and Petruchio takes place. Everyone is in attendance, excluding Petruchio.William Shakespeares The Taming of The Shrew, characters names and meanings of words take on a particular level of importance. As a play that centers around peoples Words: — Pages: 4.
Shakespeare uses Christopher Sly to form a relationship between the audience and the play since majority of The Taming of the Shrew is set in an unfamiliar setting, Italy.
We are introduced to Sly by his refusal to pay for bar glasses he has broken. Christopher Sly is a drunk and a beggar with a string of menial jobs and an appetite for cheap beer.
He talks a lot of trash, likes bar brawls, and has no respect for women. He's also easily duped when the Lord tricks him into believing that he is not Sly "the beggar" but rather, a "mighty Lord" who has been in a deep sleep for the past fifteen years.
Everything you ever wanted to know about Christopher Sly in The Taming of the Shrew, written by masters of this stuff just for you. Christopher Sly is a minor character in William Shakespeare's The Taming of the Shrew.
He is a drunken peddlar who is easily dominated by women, set up as a foil to . View the taming of the shrew questions and answers from ENGLISH LI ENGL at Art Institute of Pittsburgh. The Taming of the Shrew Study Guide - Teacher Edition %(2).